Last edited by Sanos
Thursday, July 30, 2020 | History

4 edition of Six lectures from the Stockhausen Courses Kürten 2002 found in the catalog.

Six lectures from the Stockhausen Courses Kürten 2002

Richard Toop

Six lectures from the Stockhausen Courses Kürten 2002

by Richard Toop

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Published by Stockhausen-Verlag in Kürten .
Written in English

    Subjects:
  • Stockhausen, Karlheinz, -- 1928- -- Criticism and interpretation.,
  • Music -- 20th century -- Analysis, appreciation.

  • Edition Notes

    StatementRichard Toop ; Stockhausen Foundation for Music.
    ContributionsStockhausen-Stiftung für Musik., Stockhausen-Kurse Kürten (2002)
    Classifications
    LC ClassificationsML410.S858 T66 2005
    The Physical Object
    Paginationiv, 208 p. :
    Number of Pages208
    ID Numbers
    Open LibraryOL19647081M
    ISBN 103000161856
    OCLC/WorldCa61386650

    Stockhausen invited Richard to lecture in his summer courses at Kürten from to , and some of these analytical lectures were published in book form. 5. Several weeks before he died, Richard gave me permission to upload pdfs of his articles to the website. I'm learning that, if one counts the scripts of talks he regarded as. World War. Publications include a Ligeti monograph, Six Lectures from the Stockhausen Courses Kürten , and Brian Ferneyhough – Collected Writings, ed. with James Boros. Peter Tregear is a Research Fellow of the University of Melbourne, and a former Fellow of Fitzwilliam College, Cambridge. Active as both a performer and aca-.

    "Stimmung", for six vocalists and six microphones, is a piece by Karlheinz Stockhausen, written in and commissioned by the City of Cologne for the Collegium Vocale average length is seventy-four minutes, and it bears the work number 24 in the composer's catalog. It is at the same time a serial and a tonal composition (Toop , 39; Stuppner ). Kontakte ("Contacts") is an electronic music work by Karlheinz Stockhausen, realized in –60 at the Westdeutscher Rundfunk (WDR) electronic-music studio in Cologne with the assistance of Gottfried Michael Koenig (Morawska-Büngeler , ).The score is Nr. 12 in the composer's catalogue of works, and is dedicated to Otto Tomek [].

      He was Stockhausen’s teaching assistant at the Staatliche Musikhochschule in Cologne (), lecturer in the Stockhausen courses at Kürten (), published multiple articles on. Six Lectures. from the Stockhausen Courses Kürten (Kürten, Germany: Stockhausen-Verlag, ), n7. 2. Patricia Spencer, “How. Kathinka’s Chant as Lucifer’s Requiem. by Karlheinz Stockhausen Redefines the Nature of Performance,” The. Flutist Quarterly. 17, no. 2 (Spring ): 9, 15n1. To what.


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Six lectures from the Stockhausen Courses Kürten 2002 by Richard Toop Download PDF EPUB FB2

Richard Toop: Six Lectures from the Stockhausen Courses Kürten ( pages in English with numerous musical examples, sketches in colour, hard cover in colour, Stockhausen Foundation for Music, ) Programme book of the Stockhausen Courses Kuerten "The six texts collected here formed the basis of six analysis classes given at the Stockhausen Kürten Courses, from July 28 to August 3"--Page ii.

Description: iv, pages: illustrations (some color), music ; 25 cm. Toop published a book on the life and work of Hungarian composer György Ligeti as part of Phaidon’s 20th Century Composers series as well as a book of lectures on Stockhausen, Six Lectures from the Stockhausen Courses Kürten Stimmung, for six vocalists and six microphones, is a piece by Karlheinz Stockhausen, written in and commissioned by the City of Cologne for the Collegium Vocale average length is seventy-four minutes, and it bears the work number 24 in the composer's catalog.

It is a tonal, and yet also a serial composition (Toop39; Stuppner ). Inhe founded the Stockhausen Courses, which are held annually in Kürten (Stockhausen-Verlag6–9, 15).

Publishing activities Edit From the mids onward, Stockhausen designed (and in some cases arranged to have printed) his own musical scores for his publisher, Universal Edition, which often involved unconventional devices. In his book "Six Lectures from the Stockhausen Courses Kürten ", Richard Toop observes that each Couple's held synth chords contains a different major triad, rooted on a note from the EVE Nuclear Formula pitch sequence (they also have a pitch from the LUCIFER Nuclear Formula pitch sequence and the inverted LUCIFER Nuclear Formula.

English transcript of DVD Concert Introduction and analysis by Stockhausen (PDF) 10 DVD set of Rehearsals Six Lectures from the Stockhausen Courses Kürten (Richard Toop) Compositional techniques in the music of Stockhausen () (Kelsall, ) The Music of Stockhausen (Jonathan Harvey) Works of Karlheinz Stockhausen (Robin.

Stockhausen Courses Page from Stonebraker site () Sonoloco Report of a Stockhausen Composition Class The Stockhausen Composition and Interpretation Courses (, Medić) Concert History Below is a historical listing of all of the prior faculty concerts presented at the Stockhausen Courses from to (from Richard Toop's "Six Lectures from the Stockhausen Courses Kurten ") (© ) The idea of compressing/expanding the pitch ranges of melodies would later be further explored in SIRIUS (through electronic manipulation), and in Xi and YPSILON (through new microtonal wind instrument fingerings).

Luzifers Requiem’ and ‘Elektronische Musik Mit Tonszenen Vom Freitag Aus Licht,’ in Six Lectures from the Stockhausen Courses Kürten (Kürten: Stockhausen-Verlag, ).

10 Michael voice and instrument are tenor and trumpet, Eve’s are soprano and basset-horn (and occasionally flute), Lucifer’s are bass and trombone. "Mondrian, Fibonacci und Stockhausen: Mass und Zahl in Adieu". Neue Zeitschrift für Musikno. 4 (July–August): 31– Toop, Richard. Six Lectures from the Stockhausen Courses Kürten Stockhausen-Verlag.

ISBN External links. Video clips of Stockhausen rehearsing Adieu with the Ensemble Modern, Frankfurt. Richard Toop has opted for "point music" in his New Grove article on Stockhausen and in his book, Six Lectures from the Stockhausen Courses Kürtenand the article already mentions Edward Lippman's alternative.

Kürten: Stockhausen-Verlag. Toop, Richard. Six Lectures from the Stockhausen Courses Kürten Kürten: Stockhausen-Verlag. ISBN Toop, Richard. "Licht ('Light')".

Grove Music Online: The New Grove Dictionary of Opera (updated 22 October) (Subscription access) (Accessed 17 April ). Watkins, Glenn. Richard Toop: Six Lectures from the Stockhausen Courses Kürten ( pages in English with numerous musical examples, sketches in colour, hard cover in colour, Stockhausen Foundation for Music, ) Thomas Ulrich: Stockhausen.

A Theological Interpretation ( pages in English, Stockhausen Foundation for Music, ). Kuerten, Stockhausen-Verlag Toop, Richard () Form Schemes, Six Lectures from the Stockhausen Courses. Kuerten–, Kuerten, Stockhausen-Verlag Time and Light. Toop, Richard. "Group Composition". In his Six Lectures from the Stockhausen Courses Kürten3– Kürten: Stockhausen-Verlag.

ISBN Ungeheuer, Elena. Wie die elektronische Musik 'erfunden' wurde: Quellenstudie zu Werner Meyer-Epplers Entwurf zwischen und Kölner Schriften zur Neuen Musik 2. Stockhausen Lecture FREMDE SCHÖNHEIT (ALIEN BEAUTY) (Archive Nos.

/ 1 and / 2) (Colour film) Duration: 57 minutes and 47 minutes Contents: Concert with lecture by Karlheinz Stockhausen on August 1st during the Stockhausen Courses Kuerten The lecture includes performances of Xi for basset-horn, YPSILON for flute.

Stockhausen, Karlheinz a. Composition Course on Scents-Signs (of Sunday from Light) for 7 Vocalists, Boy's Voice, Sythesizer (). Kürten: Stockhausen-Verlag. Stockhausen, Karlheinz. Stockhausen Courses Kürten Composition Course on Hoch-Zeiten (of Sunday from Light) for Orchestra (/02).

Kürten: Stockhausen-Verlag. A major objective of the Foundation is music education, whereby work integrity and authentic performance practice are of primary importance. The most important tool in this undertaking is the Stockhausen Concerts and Courses Kürten: every two years, nine days of master classes, re- hearsals, lectures and concerts are centred around Stockhausen’s music.

Kürten: Stockhausen-Stiftung für Musik. ISBN Toop, Richard. "Form Schemes". In his Six Lectures from the Stockhausen Courses Kürten– Kürten: Stockhausen-Verlag, for the Stockhausen Foundation for Music.

ISBN Further reading. Cardew, Cornelius. On November 14th the Stockhausen Foundation for Music was ratified as a non-profit foundation having as its purpose "the advancement of musicology including the stimulation of music culture based on the creative oeuvre of Professor Karlheinz Stockhausen" (paragraph of the foundation statutes).

The Stockhausen Foundation for Music is in a .Karlheinz Stockhausen (Kerpen-Mödrath, a prop de Colònia, Alemanya, 22 d'agost de - Kürten, Alemanya, 5 de desembre de ) fou un dels compositors més importants de música clàssica del segle estudiar piano i pedagogia musical al Conservatori Superior de Colònia, així com musicologia, germanística i filosofia a la Universitat de la mateixa ciutat, dedicant-se .Toop, Richard.

Six Lectures from the Stockhausen Courses Kürten Stockhausen-Verlag. ISBN Morreau, Annette. "Where Herzog Met Portishead: Only Connect, Barbican, London".

The Independent. Broyles, Michael. Mavericks and Other Traditions in American Music. New Haven and London: Yale University .